Crowning of Thorns | Illustrated Prayer

Ecce Homo, by Peter Paul Rubens, c. 1612. State Hermitage Museum, St. Petersburg, Russia. Via IllustratedPrayer.com

Ecce Homo

October 17, 2018 Karina Tabone 0 Comments 17th Century Art, Bible, Crowning of Thorns, Ecce Homo, Jesus Christ, Passion, Rosary, Sorrowful Mysteries

When I first started searching artwork to go along with the mysteries of the Rosary, I was a bit confused.

Humble Acceptance of the Cross

October 20, 2017April 13, 2018 Karina Tabone 0 Comments 16th Century Art, Bible, Carrying of the Cross, Christ, Cross, Crowning of Thorns, Gospel, Jesus, Passion, Sacrifice, Sorrowful Mysteries

One of the hardest things for me when I was struggling with Christianity was that age-old question: why did Jesus

The Greatest Story Ever Told – In Art

October 13, 2017April 13, 2018 Karina Tabone 0 Comments 15th Century Art, Agony in the Garden, Carrying of the Cross, Christ, Cross, Crowning of Thorns, Crucifixion, Descent from the Cross, Ecce Homo, Gospel, Jesus, Last Supper, Passion, Scourging at the Pillar, Sorrowful Mysteries, Trial of Jesus

One of the most beautiful thing about medieval religious artwork is that the artists were not constricted by moments of

The Good Shepherd

August 26, 2017April 12, 2018 Karina Tabone 0 Comments 17th Century Art, Bible, Carrying of the Cross, Christ, Crowning of Thorns, Gospel, Jesus, Lamb of God, Parables, Passion, Shepherd

Not too long ago, I was looking for a picture of Jesus as the Good Shepherd. Honestly, I was expecting

Marketplace, with the Flagellation, the Ecce Homo and the Bearing of the Cross in the background, by Joachim Bueckelaer, c. 1550 - 1590. Rijksmuseum, Amsterdam, Netherlands. Via IllustratedPrayer.com

And where is your God?

July 14, 2017April 12, 2018 Karina Tabone 0 Comments 16th Century Art, Carrying of the Cross, Christ, Crowning of Thorns, Passion, Rosary, Scourging at the Pillar, Sorrowful Mysteries

Normally, in pictures that relate to the Passion of Christ, you expect to see Christ in the forefront. After all,