The Guard at the Tomb

One thing that surprised me about the artwork of the Resurrection: in many, many artworks, the guards play an important role in the scene!

Take, for example, this picture!

Resurrection of Christ, by Bartolomé Bermejo, c. 1475. Museu Nacional d'Art de Catalunya, Barcelona, Spain. Via
Resurrection of Christ, by Bartolomé Bermejo, c. 1475. Museu Nacional d’Art de Catalunya, Barcelona, Spain.

An impressively detailed picture of Christ stepping out of the tomb, the soldiers are dressed in armor that looks distinctly Spanish and very ornamental… which isn’t surprising, given that the artist was Spanish! While it’s true that the three Marys coming to the tomb with perfume for anointing Christ are prominently placed in the background of the picture, it is clear that the main focus of the artist is Christ and the soldiers.

And this picture is typical of the many Western European artworks of the Resurrection! The main focus is Christ and the soldiers. If the women who arrived at the tomb first are there (which is not necessarily the case!) they are usually in the background.

This amuses me because the guards actually don’t play a prominent role in the Resurrection narrative in the gospel! Instead, it’s the women that feature prominently in all four gospels. It is only in the Gospel of Matthew where the guards show up at all… and when they do, it almost feels like an afterthought!

Take a look at the gospel… first, a little before the gospel, so you can get some context of the guards…

Now, take a look at the actual Resurrection account:

…see what I mean? They almost seen like an afterthought!

So, why does the gospel of Matthew have the details about the guards while the other gospels do not? Probably because of whom the audience was. See, each of the gospels were directed to a different audience, and Matthew’s was written for the Jews.

Back in the day, immediately after Jesus’s Resurrection, it appears as if there were lots of conspiracy theories floating about for the Jewish population. After all, the way Jesus was resurrected was not the way the Jews expected… at all. And there was a lot of doubt as well. After all, they had just seen Jesus die on a cross. It was hard to believe that suddenly He was resurrected in a miraculous fashion.

Not only that, but the Jews would be privy to some of the details that a foreigner would not know. Luke’s audience, which was mainly Greek, would not know or really care that there was a guard that watched over Jesus’s body because the Sanhedrin complained. After all, it appears that the guards denied that anything miraculous happened. Such a narrative would hardly be impressive and may have even caused some doubt.

But the Jews? They had some additional questions! After all, they knew some of the details!

Now, from the way the gospel goes, it appears that the tomb was definitely empty — that could not be denied. Otherwise, the gospels would be focusing on trying to establish a theory as to where Jesus was physically buried, instead of why the tomb was empty. It would be easy enough to say, “Oh, the tomb was empty because Jesus was thrown in a mass grave for criminals and so that’s why you can’t find His Body.” Which was actually pretty common back then!

But, that’s not what happened. Instead, there seems to be a consensus that Jesus was buried in a special, particular place that the disciples could not or dared not go near… and yet something strange happened and Jesus’s body disappeared anyway.

And then you have the guards. The Jews knew this detail about the guards and it was likely that they would ask, “But what about the guards? Don’t they have any testimony of this event? Shouldn’t they have seen the Resurrection?” So, they needed to have an answer!

And so, Matthew stuck a brief explanation into his gospel, whereas the other writers did not… even if his explanation is a bit lame.

And, in a way, that makes things make a little more sense. I’ve always wondered why the disciples were afraid to approach the tomb initially, but not the women. But, if there were guards there, the guards would probably be more concerned with the men and fight them off. But the women? History is full of stories of men underestimating women and seeing them as to weak to do anything important.

So, why was it so commonly portrayed in Western European art? Probably because seeing impotent soldiers fainting on the ground, with Christ gloriously climbing out of His tomb was an image so powerful that artists just had to paint it. What can I say? Christ is glorious indeed!

Karina Tabone

Karina Tabone is a wife, mother of four, author, blogger, and lover of Christian artwork. She's the author of the Illustrated Rosary series, which pairs every prayer of the Rosary with beautiful religious artwork. She likes also milkshakes, sunshine, and mystery novels. Follow her on Twitter at @illustr_prayer.

2 thoughts on “The Guard at the Tomb

  • April 21, 2019 at 4:28 pm

    I once went to an exhibit in Toronto many years ago…it was a detailed series of paintings depicting Christ and predominately his death and Resurrection. I believe it was done by an Italian artist. The paintings were small and each one depicted a scene. They were so well and I specifically remember being blown away by the detail on the face of the guards after discovering the empty tomb. I thought you could help me find this and identify the artist… I am not even sure of the date of these paintings. It may be a challenge to find them or you may know exactly what I am talking about… I believe there were 24 paintings but I could be all wrong about all my recollection of these. The only thing I remember clearly was how incredibly detailed the paintings were, how exquisite the facial expressions were and how sublimely inspired I was by the artist… any clues for me? My name is Elisabeth

    • April 21, 2019 at 6:03 pm

      Oooh! That sounds like a challenge. 🙂 Today is Easter, so I am going to celebrate with my family, but I’ll definitely look this up for you on Monday! HAPPY EASTER! HE IS RISEN!!!!! 🙂


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